Reedición japonesa, sin remasterizar, del cuarto álbum de estudio de Deep Purple. Una de las obras clásicas y uno de los pilares del Hard Rock y el Heavy Metal con piezas tan conocidas como Speed King o Child In Time. Y, de entre las menos famosas, yo destacaría Living Wreck o Into The Fire, de la cuál hicieron una versión un poco chusca los Mojinos Escozíos.
Temas:
1 Speed King 4:18 2 Bloodsucker 4:12 3 Child in Time 10:15 4 Flight of the Rat 7:52 5 Into the Fire 3:29 6 Living Wreck 4:30 7 Hard Lovin' Man 7:10
Modo de Lectura : Seguro Utilizar Corriente Exacta : Sí Descartar Audio caché : Sí Utilizar los punteros C2 : No
Corrección de Desplazamiento de Lectura : 667 Sobreleer tanto en Lead-In como en Lead-Out : No Rellenar las muestras faltantes con silencios : Sí Eliminar silencios inicial y final : No Se han usado muestras nulas en los cálculos CRC : Sí Interfaz usada : Interfaz propio de Win32 para Windowns NT y 2000
Formato de Salida utilizado : Compresor definido por el usuario Bitrate seleccionado : 32 kBit/s Calidad : Alta Añadir Etiqueta ID3 : No Compresor de linea de comandos : C:\Program Files (x86)\Exact Audio Copy\Flac\flac.exe Opciones adicionales en línea de comandos : -6 -V %s
Nombre de Archivo E:\Música\EAC\Deep Purple\DEEP PURPLE - Deep Purple In Rock - Japan (20P2-2603 ).wav
Nivel Pico 100.0 % Gama de Calidad 100.0 % Test CRC 4C93B4C3 Copiar CRC 4C93B4C3 Copia OK
Sin Errores
Resumen AccurateRip
Pista 1 extraido de modo preciso (nivel de confianza 3) [A1459CD9] Pista 2 extraido de modo preciso (nivel de confianza 3) [0F198363] Pista 3 extraido de modo preciso (nivel de confianza 4) [0A1EF02C] Pista 4 extraido de modo preciso (nivel de confianza 3) [C2582128] Pista 5 extraido de modo preciso (nivel de confianza 3) [4CCFF042] Pista 6 extraido de modo preciso (nivel de confianza 3) [7C22AA95] Pista 7 extraido de modo preciso (nivel de confianza 3) [B796E777]
Japanese reissue of this classic album of Hard Rock and Heavy Metal, their fourth studio album.
From Metal-Archives Mark I Deep Purple is underrated, but listening to the first three Mark II Deep Purple albums makes the reason for this clear. They are three of the best albums of the entire decade, and anyone who denies this either hasn't listened to them or doesn't understand the impact of one of the three strongest rock forces of the seventies (Black Sabbath, Deep Purple and Led Zeppelin). 'In Rock' is the first (and possibly best) of these three albums and showcases a drastic transformation from the last album ('Deep Purple') for being only two years into their career in both sound and band members.
Both vocalist Rod Evans and bassist Nick Simper have been replaced by Ian Gillan and Roger Glover respectively, and it really tells in the sound. The calm and fairly passive voice of Rod Evans has been displaced by Ian Gillan's bluesy, dynamic and unpredictable vocal style while Nick Simper's fairly non-existent bass lines have been replaced by ones that, while sometimes just copying the guitar riff, give the album a whole lot of power. Additionally, it's amazing how well these two newcomers had a chemistry between the three original members after being in the band for less than a year.
Any of the songs could be called a highlight on any other album, but as everyone else who has reviewed this knows, 'Child In Time' is clearly the winner here; a masterwork that holds your attention for an impressive ten minutes with a smooth crescendo from a laid-back introduction with emotional singing and a gloomy atmosphere painted by the lyrics to an explosion of passion and virtuosity. However, one gem that often gets overlooked is 'Into The Fire', which is probably one of the hardest hitting songs of the seventies with a phenomenal riff that simply makes the song. The songwriting is undoubtedly simpler than on 'Deep Purple', with few attempts to innovate and not much in the way of diversity, but this doesn't amount to much considering that this album is more occupied with rocking your face off!
Ritchie Blackmore, to live up to the straightforward and truthful title, made his presence much more known by way of becoming a factory of top quality riffs; 'Speed King' and 'Bloodsucker' are almost entirely driven by what Blackmore can come up with as opposed to Mark I's tendency to be driven by the vocal melodies. The other two original members are obviously no slouches either, but there wasn't much room for improvement as both Jon Lord and Ian Paice did an excellent job on 'Deep Purple'.
'In Rock' deserves its place as one of the defining albums of seventies heavy metal/hard rock among 'Paranoid' and 'Led Zeppelin IV', as it's full of memorable and lively moments that make you proud to be a fan of this style of music. Most people who are into this kind of music probably have this album anyway though, seeing all the glowing reviews out there. However ,if you haven't got this album, this is absolutely essential.
Espero que lo del Blackmore fuera que no estaba por allí y no una de sus paranoias. Es un jodido genio, pero es de esos tipos que lo mismo te rompe el disco si le pillas en un mal día. NO A LA LEY LASSALLE
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