Exact Audio Copy V0.99 prebeta 5 from 4. May 2009

Archivo Log de extracciones desde 4. Junio 2013, 19:09

Porcupine Tree / Voyage 34: The Complete Trip - Japan (IECP-10140)

Usar unidad : HL-DT-STDVDRAM GH22NS70 Adapter: 0 ID: 0

Modo de Lectura : Seguro
Utilizar Corriente Exacta : Sí
Descartar Audio caché : Sí
Utilizar los punteros C2 : No

Corrección de Desplazamiento de Lectura : 667
Sobreleer tanto en Lead-In como en Lead-Out : No
Rellenar las muestras faltantes con silencios : Sí
Eliminar silencios inicial y final : No
Se han usado muestras nulas en los cálculos CRC : Sí
Interfaz usada : Interfaz propio de Win32 para Windowns NT y 2000

Formato de Salida utilizado : Compresor definido por el usuario
Bitrate seleccionado : 32 kBit/s
Calidad : Alta
Añadir Etiqueta ID3 : No
Compresor de linea de comandos : C:\Program Files (x86)\Exact Audio Copy\Flac\flac.exe
Opciones adicionales en línea de comandos : -6 -V %s

TOC del CD extraido

Pista | Inicio | Duración | Sector inicial | Sector final
-------------------------------------------------------------
1 | 0:00.00 | 12:54.71 | 0 | 58120
2 | 12:54.71 | 17:30.57 | 58121 | 136927
3 | 30:25.53 | 19:29.12 | 136928 | 224614
4 | 49:54.65 | 20:44.73 | 224615 | 317987

Gama de estados y errores

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Nombre de Archivo E:\Música\EAC\Porcupine Tree\Porcupine Tree - Voyage 34 The Complete Trip - Japan (IECP-10140).wav

Nivel Pico 100.0 %
Gama de Calidad 100.0 %
Test CRC C0992E11
Copiar CRC C0992E11
Copia OK

Sin Errores


Resumen AccurateRip

Pista 1 extraido de modo preciso (nivel de confianza 7) [9F32EA96]
Pista 2 extraido de modo preciso (nivel de confianza 7) [BBCA9AA3]
Pista 3 extraido de modo preciso (nivel de confianza 7) [36B2E3D2]
Pista 4 extraido de modo preciso (nivel de confianza 7) [8D52E00C]

Todas las pistas extraidas de modo preciso

Final del Informe

Steven Wilson about Voyage 34:
It was an anti-single. It was a thirty minute single about drugs and it had no vocals in it. I thought that no one is going to play this. But it charted anyway. It was the ultimate 'fuck you.' We have released four minute singles since then. But for Porcupine Tree to release a single is like an oxymoron. It's very difficult to take out a four minute chunk from an album and say 'Here we are. This totally encapsulates everything Porcupine Tree are about.' It's never been satisfactory to me to release a single. If you know the group, you know that from one minute we go from extreme metal riffing to ambient texture, the next minute we'll have a pop hook, the next minute we'll have some avant garde sample. All of these things are part of the album. How do you take a chunk of that? To me it's totally unrepresentative.

The whole point about "Voyage 34" was an exercise in genre. In that sense it stands apart from the rest of the catalogue...back in the early Nineties, there was an explosion in ambient music, a fusion of electronic music and techno music with the philosophy of people like Brian Eno and Tangerine Dream. I thought there was an interesting opportunity to do something that would bring progressive rock and psychedelia into that mixture. I wouldn’t say "Voyage 34" was a technical exercise, that makes it sound like a science project, but it was a one-off experiment in a particular genre in which I knew I wouldn’t be staying for very long. I was given a tape of a guy having a bad trip in the Sixties. It was an anti-LSD propaganda album and it was perfect to form a narrative around which I could form this long, hypnotic, trippy piece of music. And that was "Voyage 34". Even at the time, I think that sort of music was already passing. Music that is too attached to a trend very soon starts to sound very dated. I was always interested in existing outside the bubble of whatever was hip, and that kind of music was very briefly hip. "Voyage 34" sits inside that bubble. I’m still very proud of it. It was a unique piece of music, but of all the catalogue, it’s one of the pieces which relates most closely to the era that it was created in.