Genesis Discography. Part 2 (1969-1991) [Studio Albums, Non-Remasters, Japanese Pressing] Genesis fue un grupo de rock progresivo británico creado en 1967. Con aproximadamente 155 millones de álbumes vendidos en todo el mundo, se encuentra entre los treinta grupos más vendedores de todos los tiempos
En 1988 el grupo ganó el premio Grammy al "mejor video musical" por Land of Confusion. Los miembros con mayor permanencia han sido Phil Collins, Mike Rutherford y Tony Banks. En sus inicios Peter Gabriel, Anthony Phillips y Steve Hackett también fueron miembros del grupo.
Durante el año 2007 el grupo, en su versión encabezada por Phil Collins, se volvió a reunir, completando una gira en Europa y Estados Unidos.
EAC Rip | Flac(Image) + Cue + Log & iPod M4A(Tracks) & MP3 CBR 320Kbps
16CD | ~ 4842 or 4866 or 1901 Mb | Scans(png, 600dpi) -> 3898 Mb
Progressive Rock / Prog Pop Genesis Discography. Part 2 (1969-1991): Content: CD1: Genesis - From Genesis To Revelation (1969) [1990, Teichiku, TECP-25471]
CD2: Genesis - Trespass (1970) [1986, Virgin, 32VD-1025]
CD3: Genesis - Trespass (1970) [1988, Virgin, VJD-28006]
CD4: Genesis - Nursery Cryme (1971) [1986, Virgin, 32VD-1026]
CD5: Genesis - Selling England by the Pound (1973) [1988, Virgin, VJD-28025]
CD6-7: Genesis - The Lamb Lies Down On Broadway (1974) [1988, Virgin/Charisma, VJD-25011.12]
CD8: Genesis - A Trick Of The Tail (1976) [1988, Virgin/Charisma, VJD-28026]
CD9: Genesis - Wind & Wuthering (1976) [1986, Virgin/Charisma, 32VD-1033]
CD10: Genesis - ...And Then There Were Three... (1978) [1986, Virgin/Charisma, 32VD-1015]
CD11: Genesis - ...And Then There Were Three... (1978) [1988, Virgin/Charisma, VJD-28089]
CD12: Genesis - Duke (1980) [1986, Virgin/Charisma, 32VD-1036]
CD13: Genesis - Abacab (1981) [1988, Vertigo, 23PD-117]
CD14: Genesis - Genesis (1983) [1983, Vertigo/Gerling, 32PD-17]
CD15: Genesis - Invisible Touch (1986) [1986, Virgin/Charisma, 32VD-1023]
CD16: Genesis - We Can't Dance (1991) [1991, Virgin/Charisma, VJCP-25066] CD1: Genesis - From Genesis To Revelation (1969) EAC Rip | Flac(Image) + Cue + Log & iPod M4A(Tracks) & MP3 CBR 320Kbps
1990 | Japan, Teichiku, TECP-25471 | ~ 305 or 307 or 129 Mb | Scans(png, 600dpi) -> 388 Mb
Progressive Rock / Prog Pop This Genesis collection, which has appeared under license to various labels in
addition to Decca and London in different configurations, is largely of
historical interest. The group was still in its formative stages, the
members barely past their 18th birthdays and still working out what they
wanted to sound like. Mostly they sound like the Bee Gees trying to be
the Moody Blues (picture something similar to the sound of the former
group's Odessa album). "The Silent Sun" and "Where the Sour Turns to
Sweet" are pleasant enough, but scarcely indicate the true potential of
the group or its members. A pleasant enough piece of pop-psychedelia/art
rock, but not a critically important release, except to the truly
dedicated.
by Bruce Eder Tracklist: 1. Where the Sour Turns to Sweet 3:14
2. In the Beginning 3:45
3. Fireside Song 4:18
4. The Serpent 4:38
5. Am I Very Wrong 3:31
6. In the Wilderness 3:30
7. The Conqueror 3:40
8. In Hiding 2:37
9. One Day 3:21
10. Window 3:33
11. In Limbo 3:30
12. Silent Sun 2:13
13. A Place to Call My Own 2:00
14. The Silent Sun [Bonus Track] 2:15
15. That's Me [Bonus Track] 2:41
16. A Winter's Tale [Bonus Track] 3:31
17. One Eyed Hound [Bonus Track] 2:32
Credits: Peter Gabriel – vocals, flute, percussion
Anthony Phillips – guitar, vocals
Tony Banks – organ, guitar, piano, keyboards, vocals
Mike Rutherford – bass guitar, guitar, vocals
John Silver – drums, vocals, except on "Silent Sun"
Chris Stewart – drums on "Silent Sun"
Strings & Horns Arranged & Conducted By Arthur Greenslade & Lou Wharburton
Produced By Jonathan King
===========================
CD2: Genesis - Trespass (1970) EAC Rip | Flac(Image) + Cue + Log & iPod M4A(Tracks) & MP3 CBR 320Kbps
1986 | Virgin, 32VD-1025 | ~ 252 or 254 or 104 Mb | Scans(png, 600dpi) -> 287 Mb
Progressive Rock / Prog Pop Genesis' first truly progressive album, and their first record for the Charisma label
(although Trespass was released in America by ABC, which is how MCA came
to have it), is important mostly as a formative effort. Peter Gabriel,
Tony Banks, and Michael Rutherford are here, but the guitarist is
Anthony Phillips and the drummer is John Mayhew. Gabriel, Banks,
Phillips, and Rutherford are responsible for the compositions, which are
far more ambitious than the group's earlier efforts ("Silent Sun,"
etc.). Unfortunately, much of what is here is more interesting for what
it points toward than what it actually does -- the group reflects a
peculiarly dramatic brand of progressive rock, very theatrical as music,
but not very successful. The lyrics are complex enough but lack the
unity and clarity that would make Genesis' subsequent albums among the
most interesting of prog rock efforts to analyze. Gabriel's voice is
very expressive but generally lacks power and confidence, while the
conventional backup vocalizing by the others is wimpy, and Phillips'
playing is muted. Tony Banks' keyboards are the dominant instruments,
which isn't that bad, but it isn't the Genesis that everyone came to
know. The soft, lyrical "Visions of Angels" and "Stagnation" are
typical, gentle works by a band that later learned how to rock much
harder. Only one of the songs here, "The Knife" -- which rocks harder
than anything else on Trespass and is easily the best track on the album
-- lasted in the group's concert repertory past the next album.
by Bruce Eder Tracklist: 1. Looking For Someone 7:07
2. White Mountain 6:45
3. Visions Of Angels 6:52
4. Stagnation 8:51
5. Dusk 4:15
6. The Knife 8:57
Credits: Peter Gabriel – lead vocals, flute, accordion, percussion
Anthony Phillips – electric and acoustic guitars, dulcimer, backing vocals
Tony Banks – organ, piano, Mellotron, guitar, backing vocals
Mike Rutherford – electric bass, acoustic and nylon guitars, cello, backing vocals
John Mayhew – drums, percussion, backing vocals
Produced By John Anthony
===========================
CD3: Genesis - Trespass (1970) EAC Rip | Flac(Image) + Cue + Log & iPod M4A(Tracks) & MP3 CBR 320Kbps
1988 | Virgin, VJD-28006 | ~ 253 or 254 or 104 Mb | Scans(png, 600dpi) -> 195 Mb
Progressive Rock / Prog Pop Tracklist: 1. Looking For Someone 7:08
2. White Mountain 6:45
3. Visions Of Angels 6:52
4. Stagnation 8:51
5. Dusk 4:14
6. The Knife 8:59
Credits: Peter Gabriel – lead vocals, flute, accordion, percussion
Anthony Phillips – electric and acoustic guitars, dulcimer, backing vocals
Tony Banks – organ, piano, Mellotron, guitar, backing vocals
Mike Rutherford – electric bass, acoustic and nylon guitars, cello, backing vocals
John Mayhew – drums, percussion, backing vocals
Produced By John Anthony
===========================
CD4: Genesis - Nursery Cryme (1971) EAC Rip | Flac(Image) + Cue + Log & iPod M4A(Tracks) & MP3 CBR 320Kbps
1986 | Virgin, 32VD-1026 | ~ 210 or 211 or 98 Mb | Scans(png, 600dpi) -> 285 Mb
Progressive Rock / Prog Pop If Genesis truly established themselves as progressive rockers on Trespass, Nursery
Cryme is where their signature persona was unveiled: true English
eccentrics, one part Lewis Carroll and one part Syd Barrett, creating a
fanciful world that emphasized the band's instrumental prowess as much
as Peter Gabriel's theatricality. Which isn't to say that all of Nursery
Cryme works. There are times when the whimsy is overwhelming, just as
there are periods when there's too much instrumental indulgence, yet
there's a charm to this indulgence, since the group is letting itself
run wild. Even if they've yet to find the furthest reaches of their
imagination, part of the charm is hearing them test out its limits,
something that does result in genuine masterpieces, as on "The Musical
Box" and "The Return of the Giant Hogweed," two epics that dominate the
first side of the album and give it its foundation. If the second side
isn't quite as compelling or quite as structured, it doesn't quite
matter because these are the songs that showed what Genesis could do,
and they still stand as pinnacles of what the band could achieve.
by Stephen Thomas Erlewine Tracklist: 1. The Musical Box 10:29
2. For Absent Friends 1:47
3. The Return Of The Giant Hogweed 8:12
4. Seven Stones 5:11
5. Harold The Barrel 3:00
6. Harlequin 2:56
7. The Fountain Of Salmacis 7:56
Credits: Tony Banks – organ, Mellotron, piano, electric piano, 12 string guitar, vocals
Mike Rutherford – bass, bass pedals, 12 string guitar, vocals
Peter Gabriel – lead vocals, flute, bass drum, tambourine
Steve Hackett – electric guitar, 12 string guitar
Phil Collins – drums, vocals, percussion, (lead vocal (uncredited) on "For Absent Friends")
Produced By John Anthony
===========================
CD5: Genesis - Selling England by the Pound (1973) EAC Rip | Flac(Image) + Cue + Log & iPod M4A(Tracks) & MP3 CBR 320Kbps
1988 | Virgin, VJD-28025 | ~ 294 or 296 or 126 Mb | Scans(png, 600dpi) -> 187 Mb
Progressive Rock / Prog Pop Genesis proved that they could rock on Foxtrot but on its follow-up Selling England by
the Pound they didn't follow this route, they returned to the English
eccentricity of their first records, which wasn't so much a retreat as a
consolidation of powers. For even if this eight-track album has no one
song that hits as hard as "Watcher of the Skies," Genesis hasn't
sacrificed the newfound immediacy of Foxtrot: they've married it to
their eccentricity, finding ways to infuse it into the delicate whimsy
that's been their calling card since the beginning. This, combined with
many overt literary allusions -- the Tolkeinisms of the title of "The
Battle of Epping Forest" only being the most apparent -- gives this
album a storybook quality. It plays as a collection of short stories,
fables, and fairy tales, and it is also a rock record, which naturally
makes it quite extraordinary as a collection, but also as a set of
individual songs. Genesis has never been as direct as they've been on
the fanciful yet hook-driven "I Know What I Like (In Your Wardrobe)" --
apart from the fluttering flutes in the fade-out, it could easily be
mistaken for a glam single -- or as achingly fragile as on "More Fool
Me," sung by Phil Collins. It's this delicate balance and how the album
showcases the band's narrative force on a small scale as well as large
that makes this their arguable high-water mark.
by Stephen Thomas Erlewine Tracklist: 1. Dancing With The Moonlight Knight 8:05
2. I Know What I Like (In Your Wardrobe) 4:07
3. Firth Of Fifth 9:37
4. More Fool Me 3:12
5. The Battle Of Epping Forest 11:46
6. After The Ordeal 4:16
7. The Cinema Show 10:45
8. Aisle Of Plenty 1:54
Credits: Tony Banks – piano, keyboards, backing vocals, acoustic guitar on "The Cinema Show"
Phil Collins – drums, percussion, backing vocals, lead vocals on "More Fool Me"
Peter Gabriel – lead vocals, flute, oboe, percussion
Steve Hackett – lead guitar
Mike Rutherford – bass guitar, bass pedals, rhythm guitar, electric
sitar, cello on "Dancing With The Moonlight Knight"[citation needed],
acoustic guitar on "The Cinema Show"
Produced By John Burns/Genesis
===========================
CD6-7: Genesis - The Lamb Lies Down On Broadway (1974) EAC Rip | Flac(Image) + Cue + Log & iPod M4A(Tracks) & MP3 CBR 320Kbps
2CD | 1988 | Virgin/Charisma, VJD-25011.12 | ~ 546 or 549 or 221 Mb | Scans(png, 600dpi) -> 266 Mb
Progressive Rock / Prog Pop Given all the overt literary references of Selling England by the Pound, along with
their taste for epic suites such as "Supper's Ready," it was only a
matter of time before Genesis attempted a full-fledged concept album,
and 1974's The Lamb Lies Down on Broadway was a massive rock opera: the
winding, wielding story of a Puerto Rican hustler name Rael making his
way in New York City. Peter Gabriel made some tentative moves toward
developing this story into a movie with William Friedkin but it never
took off, perhaps it's just as well; even with the lengthy libretto
included with the album, the story never makes sense. But just because
the story is rather impenetrable doesn't mean that the album is as well,
because it is a forceful, imaginative piece of work that showcases the
original Genesis lineup at a peak. Even if the story is rather hard to
piece together, the album is set up in a remarkable fashion, with the
first LP being devoted to pop-oriented rock songs and the second being
largely devoted to instrumentals. This means that The Lamb Lies Down on
Broadway contains both Genesis' most immediate music to date and its
most elliptical. Depending on a listener's taste, they may gravitate
toward the first LP with its tight collection of ten rock songs, or the
nightmarish landscapes of the second, where Rael descends into darkness
and ultimately redemption (or so it would seem), but there's little
question that the first album is far more direct than the second and it
contains a number of masterpieces, from the opening fanfare of the title
song to the surging "In the Cage," from the frightening "Back in NYC"
to the soothing conclusion "The Carpet Crawlers." In retrospect, this
first LP plays a bit more like the first Gabriel solo album than the
final Genesis album, but there's also little question that the band
helps form and shape this music (with Brian Eno adding extra coloring on
occasion), while Genesis shines as a group shines on the
impressionistic second half. In every way, it's a considerable, lasting
achievement and it's little wonder that Peter Gabriel had to leave the
band after this record: they had gone as far as they could go together,
and could never top this extraordinary album.
by Stephen Thomas Erlewine Tracklist CD6: 1.01. The Lamb Lies Down On Broadway 4:46
1.02. Fly On A Windshield 1:20
1.03. Broadway Melody Of 1974 3:36
1.04. Cuckoo Cocoon 2:10
1.05. In The Cage 8:13
1.06. The Grand Parade Of Lifeless Packaging 2:45
1.07. Back In N.Y.C. 5:44
1.08. Hairless Heart 2:09
1.09. Counting Out Time 3:41
1.10. Carpet Crawlers 5:14
1.11. The Chamber Of 32 Doors 5:40
Tracklist CD7: 2.01. Lilywhite Lilith 2:39
2.02. The Waiting Room 5:26
2.03. Anyway 3:06
2.04. Here Comes The Supernatural Anaesthetist 2:59
2.05. The Lamia 6:56
2.06. Silent Sorrow In Empty Boats 3:06
2.07. The Colony Of Slippermen (The Arrival - A Visit To The Doktor - Raven) 8:08
2.08. Ravine 2:08
2.09. The Light Dies Down On Broadway 3:32
2.10. Riding The Scree 3:56
2.11. In The Rapids 2:22
2.12. It. 4:20
Credits: Mike Rutherford – bass, twelve-string guitar, bass pedals
Phil Collins – drums, percussion, vibraphone, backing vocals
Steve Hackett – guitars
Tony Banks – keyboards, piano
Peter Gabriel – vocals, flute, oboe
Brian Eno – enossification (treatments)
Produced By John Burns and Genesis
===========================
CD8: Genesis - A Trick Of The Tail (1976) EAC Rip | Flac(Image) + Cue + Log & iPod M4A(Tracks) & MP3 CBR 320Kbps
1988 | Virgin/Charisma, VJD-28026 | ~ 312 or 313 or 120 Mb | Scans(png, 600dpi) -> 317 Mb
Progressive Rock / Prog Pop After Peter Gabriel departed for a solo career, Genesis embarked on a long journey
to find a replacement, only to wind back around to their drummer, Phil
Collins, as a replacement. With Collins as their new frontman, the band
decided not to pursue the stylish, jagged postmodernism of The Lamb Lies
Down on Broadway -- a move that Gabriel would do in his solo career --
and instead returned to the English eccentricity of Selling England by
the Pound for its next effort, A Trick of the Tail. In almost every
respect, this feels like a truer sequel to Selling England by the Pound
than Lamb; after all, that double album was obsessed with modernity and
nightmare, whereas this album returns the group to the fanciful fairy
tale nature of its earlier records. Also, Genesis were moving away from
the barbed pop of the first LP and returning to elastic numbers that
showcased their instrumental prowess, and they sounded more forceful and
unified as a band than they had since Foxtrot. Not that this album is
quite as memorable as Foxtrot or Selling England, largely because its
songs aren't as immediate or memorable: apart from "Dance on a Volcano,"
this is about the sound of the band playing, not individual songs, and
it succeeds on that level quite wildly -- to the extent that it proved
to longtime fans that Genesis could possibly thrive without its former
leader in tow.
by Stephen Thomas Erlewine Tracklist: 1. Dance On A Volcano 5:54
2. Entangled 6:26
3. Squonk 6:27
4. Mad Man Moon 7:34
5. Robbery, Assault And Battery 6:17
6. Ripples 8:06
7. A Trick Of The Tail 4:34
8. Los Endos 5:50
Credits: Mike Rutherford – bass guitar, 12-string guitar, bass pedals
Tony Banks – organ, synthesisers, pianos, background vocals, 12-string guitar, mellotron
Phil Collins – vocals, background vocals, drums, percussion
Steve Hackett – electric guitar, 12-string guitars
Produced By Genesis & David Hentschel