DEEP PURPLE - Rapture Of The Deep Japan (VICP-63247)
Decimo octavo álbum de estudio de la banda que junto a los integrantes veteranos de la banda como Glover, Gillan o Paice cuenta con Steve Morse en las guitarras o Don Airey en los teclados. El disco recibió buenas críticas y tuvo una gran acogida entre el público.
Esta edición japo suma un tema extra a la edición regular del disco.
Tracklist:
1 Money Talks 5:33 2 Girls Like That 4:01 3 Wrong Man 4:54 4 Rapture of the Deep 5:56 5 Clearly Quite Absurd 5:26 6 Don't Let Go 4:32 7 Back to Back 4:04 8 Kiss Tomorrow Goodbye 4:19 9 MTV [bonus track] 4:55 10 Junkyard Blues 5:31 11 Before Time Began 6:29
Codec: EAC-FLAC Tamaño archivo: 594.45 MB Portadas: Todas a 400 dpi. (No OBI)
Exact Audio Copy V1.1 from 23. June 2015
EAC extraction logfile from 5. August 2015, 9:49
Deep Purple / Rapture Of The Deep - Japan (VICP-65247)
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Japanese edition of Deep Purple 18th studio album. The album was warmly received by critics and audiences. Together with Paice, Glover and Gillan, Steve Morse recorded the guitars and Don Airey the keyboards on the album.
Some editions, like this Japanese one, has an extra track.
From RateYourMusic: Deep Purple released Rapture Of The Deep November 1, 2005, and it remains their last studio album to date. The Mark VIII line-up of vocalist Ian Gillan, guitarist Steve Morse, bassist Roger Glover, drummer Ian Paice, and keyboardist Don Airey returned for this, their second album together, and they continue to play together as of 2012.
It was a solid modern day Deep Purple album. If you want classic Deep Purple, however, then track down Machine Head, Fireball, In Rock and the like because they are different from what the band was producing in the studio during the 1990s and 2000s. The group, on this release, produced more of a straight-forward hard rock sound that has remained the same from recent album to album. It took fewer chances than during the 1970s and 1980s, which meant not as many low points but also fewer high points as well. What remained were songs that ran together not only on individual albums but from album to album. The band also had the experience to produce songs that translated well to the live stage.
Steve Morse emerged as a guitarist of the highest order when he joined the band, and now the instrumental sound revolves around his expertise. Airey had several tours and an album under his belt and has emerged as more of a presence since his first release with DP. Paice and Glover have remained one of the more powerful rhythm sections in rock.
With all that said, it was Ian Gillan who was at the heart of the album. His lyrics were some of the best of his career and while his voice may not have been as strong as in the past and some of the high notes were not reachable anymore, he had adjusted and his voice remained one of the superior instruments on the hard rock music scene.
There are a number of solid songs that add up to 55 minutes of listening enjoyment. “Money Talks” was a heavy blues/rock fusion piece with a thumping bass foundation. “Clearly Quite Absurd” was a gentle ballad and a nice counterpoint to much of their modern day material. “Junkyard Blues” can be best described as a southern hard rocker that had its roots in Morse’s former, and once in a while current, band the Dixie Dregs. “Don’t Let Go” was another southern rock-type song with some honky tonk piano by Airey. “Back To Back” found Airey establishing himself with an excellent synthesizer solo.
Rapture Of The Deep was an intelligent album from a veteran band. It may not have broken any new ground, but it covered the old very well. And at close to 40 years into their career at the time of its release, that was more than enough.
Agregado (2015-10-22, 12:07 PM) --------------------------------------------- Hola. El arte de este disco es bantante particular porque tiene algunas partes al revés. Incluso en el libreto la mitad del mismo está en un sentido y la otra mitad está totalmente dado la vuelta por lo que metí la pata al escanearlo y repetí algunas páginas, dejando otras fuera.
Os dejo un nuevo enlace con todas las portadas de nuevo, pero ahora sí con la totalidad de las mismas.
The artwork of this CD is really strange, with some pictures and pages turned upside down. So, I repeated some pages and left other ones out when I scanned the booklet. I let a new link with full covers again. NO A LA LEY LASSALLE
Mensaje editado por jarpomarx - Jueves, 2015-10-22, 12:09 PM
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