Judas Priest -Redeemer Of Souls[Japanese BSCD2 Edition] 2014
Artist: Judas Priest Title Of Album: Redeemer Of Souls [Japanese BSCD2 Edition] Year Of Release: 2014 Label: Sony Music | SICP 30616-7 Genre: Heavy Metal Quality: FLAC (image+.cue+.log) Bitrate: Lossless Total Time: 01:23:46 Total Size: 626 MB (Scans)
Tracklist:
CD1 01.Dragonaut 02.Redeemer Of Souls 03.Halls Of Valhalla 04.Sword Of Damocles 05.March Of The Damned 06.Down In Flames 07.Hell & Back 08.Cold Blooded 09.Metalizer 10.Crossfire 11.Secrets Of The Dead 12.Battle Cry 13.Beginning Of The End
CD2 01.Snakebite 02.Tears Of Blood 03.Creatures 04.Bring It On 05.Never Forget
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Software: EAC-FLAC Tamaño archivo: 820.65 MB Portadas: Sí
Exact Audio Copy V0.99 prebeta 5 from 4. May 2009
Archivo Log de extracciones desde 4. Agosto 2014, 18:59
Judas Priest / Redeemer Of Souls - Disc 1 - Japan BluSpecCD2 (SICP-30616)
Modo de Lectura : Seguro Utilizar Corriente Exacta : Sí Descartar Audio caché : Sí Utilizar los punteros C2 : No
Corrección de Desplazamiento de Lectura : 667 Sobreleer tanto en Lead-In como en Lead-Out : No Rellenar las muestras faltantes con silencios : Sí Eliminar silencios inicial y final : No Se han usado muestras nulas en los cálculos CRC : Sí Interfaz usada : Interfaz propio de Win32 para Windowns NT y 2000
Formato de Salida utilizado : Compresor definido por el usuario Bitrate seleccionado : 32 kBit/s Calidad : Alta Añadir Etiqueta ID3 : No Compresor de linea de comandos : C:\Program Files (x86)\Exact Audio Copy\Flac\flac.exe Opciones adicionales en línea de comandos : -6 -V %s
Nombre de Archivo E:\Música\EAC\Judas Priest\Redeemer Of Souls\Judas Priest - Redeemer Of Souls - Disc 1 - Japan BluSpecCD2 (SICP-30616).wav
Nivel Pico 100.0 % Gama de Calidad 100.0 % Test CRC A5FC469B Copiar CRC A5FC469B Copia OK
Sin Errores
Resumen AccurateRip
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Final del Informe
Exact Audio Copy V0.99 prebeta 5 from 4. May 2009
Archivo Log de extracciones desde 4. Agosto 2014, 19:09
Judas Priest / Redeemer Of Souls - Disc 2 - Japan BluSpecCD2 (SICP-30617)
Modo de Lectura : Seguro Utilizar Corriente Exacta : Sí Descartar Audio caché : Sí Utilizar los punteros C2 : No
Corrección de Desplazamiento de Lectura : 667 Sobreleer tanto en Lead-In como en Lead-Out : No Rellenar las muestras faltantes con silencios : Sí Eliminar silencios inicial y final : No Se han usado muestras nulas en los cálculos CRC : Sí Interfaz usada : Interfaz propio de Win32 para Windowns NT y 2000
Formato de Salida utilizado : Compresor definido por el usuario Bitrate seleccionado : 32 kBit/s Calidad : Alta Añadir Etiqueta ID3 : No Compresor de linea de comandos : C:\Program Files (x86)\Exact Audio Copy\Flac\flac.exe Opciones adicionales en línea de comandos : -6 -V %s
Nombre de Archivo E:\Música\EAC\Judas Priest\Redeemer Of Souls\Judas Priest - Redeemer Of Souls - Disc 2 - Japan BluSpecCD2 (SICP-30617).wav
Nivel Pico 100.0 % Gama de Calidad 100.0 % Test CRC 4E5964E1 Copiar CRC 4E5964E1 Copia OK
Sin Errores
Resumen AccurateRip
Pista 1 no presente en la base de datos Pista 2 no presente en la base de datos Pista 3 no presente en la base de datos Pista 4 no presente en la base de datos Pista 5 no presente en la base de datos
Ninguna de las pistas está presente en la base de datos AccurateRip
Japanese 2CD edition of Judas Priest las album mastered using BluSpec CD.
From MetalArchives
Six years, one false retirement, and departure of K.K. Downing after Nostradamus, Judas Priest has finally released their seventeenth album Redeemer of Souls. It should seem fitting that would could potentially be their final album was released forty years after their debut Rocka Rolla. From the bluesy and hard-rocking 70's albums, to the larger-than-life anthemic 80's albums, to the faster and more aggressive albums of the 90's, to their glorious reunion with Halford, all the way to the ambitious symphonic concept album Nostradamus, Judas Priest has always been able to adapt and evolve with the times. Some may point that as their downfall with their supposed inferior 2000 albums, but it's really a testament to their longevity. For forty years Priest has waved the banner for heavy metal and continue that tradition with Redeemer of Souls. Is it perfect? Of course not. Is it still good? You better believe it.
First, I feel the need to get the negatives out of the way. The biggest issue with this album is the mixing and production value. Now while this does not hinder the songs in any significant matter, it's still a bit noticeable. The guitars especially have a drier and somewhat thinner sound than the well-polished and booming Angel of Retribution and Nostradamus. This is most evident on the Painkiller and Angel of Retribution-styled Metalizer. While definitely the fastest and one of the heavier songs on the album, it doesn't command the same kind of power that it could have been capable of. There are even a few (albeit rare) occasions where Rob Halford's voice supercedes the guitars more than is necessary. This is most notable on the title track, as the riffs feel under-mixed beneath Halford's loud verses. While bassist Ian Hill and drummer Scott Travis have never truly at the forefront of the band's sound, they still don't really stand out and continue to play supporting roles here. But considering Priest's sound has always been rooted in the guitars and Halford's voice, the rhythm is not in question here. Ultimately, the production value doesn't really take much from the songs. Some may blame the sound as a result of "old age", but it really seems to be a result of the band's desire to produce a rawer sound and overall production issues. It make take a listen or two, but one learns to overlook the production and mixing.
The band itself still sounds very good. While the guitar solos aren't as crazy and imaginative as they have been on past albums, both Glenn Tipton and K.K. Downing's replacement Richie Faulkner are on top of their games here. As I mentioned before, Ian Hill and Scott Travis are still in the background but keep the rhythm tight. The real standout performance on the album is by Rob Halford. What makes Halford exceptional on this album is that, at sixty-one years old and having spent the past forty years screaming Victim of Changes, Freewheel Burning, and Painkiller, he knows what he can and cannot do. Like Robert Plant, Klaus Meine, and Bruce Dickinson, his voice has aged smoothly and comfortably. With Halford keeping most songs at the low tenor/high baritone level with a slight rasp, not only can he still keep up with the music, but he can still convey the emotion in the lyrics and command power. He can even hit some shrieks at a reasonable yet impressive level. There's no way he could do Blood Red Skies at an 80's level anymore, but he doesn't need to. No songs better show what Rob Halford is still capable of than Halls of Valhalla and Sword of Damocles, as he sings, screams, and even growls his way across the former and hits the falsetto on the latter.
One sin that this album is free from is filler. Even at eighteen songs and a nearly hour and a half run time for the bonus edition, each song has its own identity and sound. Despite the fact that most songs are mid-paced, Priest finds an excellent balance between melody, speed, heaviness, and style. While not the all-out speed fests reminiscent of Painkiller and Angel of Retribution, Dragonaut, Metalizer, Battle Cry serve as a nice contrast to the more mid-paced (yet still powerful) songs like Sword of Damocles and Hell and Back. The same can be said for the extremely catchy Down in Flames. Cold Blooded also deserves recognition as it keeps an excellent balance between melody and heaviness. There's also a fair degree of familiarity. The title track is reminiscent of the marching riff from Hell Patrol, Secrets of the Dead hearkens back to darker songs like A Touch of Evil and cuts from Nostradamus, and Bring it On has a similar swagger to Worth Fighting For. While March of the Damned may not be one of the strongest tracks, it has the undeniable feel of a classic Priest anthem. The band even expands into different styles and genres, with Snakebite having an AC/DC feel and Crossfire being a tribute to the blues. Even the ballads are in top form, as both Beginning of the End and Never Forget carry plenty of heart-felt emotion without becoming sappy. Both songs are notable in the fact that they serve as possible farewells to the fans, with Beginning of the End containing death metaphors and Never Forget being a thank you to their loyal, long-time fanbase. However, if there's one undisputed champion of the album, it's the epic Halls of Valhalla. From the arrival of the opening riff to Halford's shrieks and anthemic chorus, Halls absolutely delivers.
All in all, this is a very solid release. Don't set yourself up to be immediately satisfied though, it may take another few listens before one can truly begin to appreciate what Priest did here. The only real drawback here is the somewhat dry and occasionally uneven production value, but it really doesn't take all that much from the songs. Judas Priest may be forty years old, but they've grown into their age comfortably and know how to deliver even this late in the game. Anyone expecting another Screaming for Vengeance, Defenders of the Faith, or Painkiller is being unrealistic. But if one is looking for a very solid, well-rounded album by one of the most experienced metal acts today, look no further. I'm sure Priest is stopping themselves short from announcing another retirement, but if Redeemer of Souls does indeed become their swan song, then they'll have gone out in a "blaze of glory", to quote from Down in Flames.
No me lo descargo porque ya tengo la edición que colgásteis aquí y ésta viene de camino. Qué pedazo de disco, han vuelto a lo grande, menos mal que finalmente no se han retirado. NO A LA LEY LASSALLE
ya te digo.....a mí tb me ha encantaó el disco...... mira que es dificil ( supongo ) a estas alturas para ellos, y hacer un disco tan bueno.....no por mayores solamente, sinó despues de tantos otros tan buenos que han hecho .... que , experiencia tienen, pero yo creo que a mí se me acabarían las ideas
Son o fueron" la supremacia de lo absoluto"!! los autenticos inventores y fundadores del HEAVY METAL al principio sacerdotes" y al final Papas" de la autentica religion que nos mueve""
Ellos y solo ellos son "el principio y el fin"" el ""Alfa y el Omega""
Actualizo los enlaces del emule con dos páginas del digipak que se me habían quedado fuera.
Emule links updated with two pages from the digipak not included in the rar file. Sorry for the mistake and thanks to brocklesnar for the warning. NO A LA LEY LASSALLE
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