| unica723 | Fecha: Miércoles, 2013-08-28, 8:35 AM | Mensaje # 1 |  
					
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					 | Haken - The Mountain [Limited Edition] (2013) 
     
   Artist: Haken   Title Of Album: The Mountain [Limited Edition]   Year Of Release: 2013   Label: Inside Out Music   Country: UK (London, England)   Genre: Heavy Metal / Progressive Metal   Quality: Mp3   Bitrate: CBR 320 kbps   Total Time: 01:09:18   Total Size: 167 MB   WebSite:  Haken  Tracklist:  01. The Path (2:47)   02. Atlas Stone (7:34)   03. Cockroach King (8:15)   04. In Memoriam (4:17)   05. Because It's There (4:24)   06. Falling Back To Earth (11:51)   07. As Death Embraces (3:13)   08. Pareidolia (10:51)   09. Somebody (9:01)   10. The Path Unbeaten (Bonus track) (2:12)   11. Nobody (Bonus track) (4:53)   Disponible sólo a los usuarios  
					 
					
 
  
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					| ojotigre | Fecha: Jueves, 2013-09-12, 1:49 PM | Mensaje # 2 |  
					
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					 | British progsters HAKEN were featured here two years ago with their very good second album, where aside their technical approach the band   experimented a little with some haunting psychedelia.   This is one of the most interesting acts from the present progressive   scene, confirmed on their fresh album "The Mountain" finding the group   exploring new fascinating sounds avoiding repeating themselves in an   very adventurous and original delivery. 
   In Haken's musical world, the songs often centre on the vocals but the   instrumental passages are as lively and creative as ever. "The Mountain"   still offers the band's acrobatic riffing, the amazing and appropriate   drumming and the delicious bass that bounces all over the place, but the   focus is completely different this time around.   One thing that has noticeably changed is the keyboard style, very   ethereal, airy, and atmospheric. Yes, you can almost feel the cloudy   cliffs all around you. Sometimes, there is almost a neo-prog style to   the keys that takes an incredible track and lifts it to new heights.   Along the way, "The Mountain" gives us even more creativity with   elaborated jazzy-prog portions, choir arrangements that make you feel   like you are on a mountaintop and horn instruments wrapping the guys   inspired arrangements. 
   I think that one of Haken's original influences has been definitively   put on the table here: Gentle Giant. This is exactly one thing that sets   "The Mountain" apart from the previous Haken album and most of the prog   bands today: a Shulman brothers style of vocal harmonization that   Haken's vocalist/lyricist, Ross Jennings, pulls off by himself.   Thus, prog metal fans might be surprised to hear a cappella passages,   vocal portions that seem to answer and supplement each other, beautiful   vocal-sustain portions, and other surprising uses of Jennings' voice.   Is this a turn-off? Not in the least. Haken has always been notorious   for their quirk, and now they are becoming not notorious, but endearing   and impressive. Jennings has one of the best voices in music, and shines   here. 
     
   This album does not fall into the structure of the previous album or   traditional prog / prog metal, and with good reason. "The Mountain"   doesn't need an epic track because it is highly personal, candid, warmly   progressive in the best definition of the genre.   It does, however, feature nine amazing tracks that range from quiet and   pensive ("The Path", "In Memoriam", "As Death Embraces") to heavy and   technical with jazzy-rock and quiet interludes ("Falling Back to Earth",   "Pareidolia", "Atlas Stone").   A couple tracks in between ("Because It's There", "Somebody") balance   the wonderful journey including horns and a touch of melodic rock, but   always around Jennings' voice and with a very, very personal and   original delivery. 
   So, as you view the solitary peak on the front of "The Mountain", know   that you are in for a journey lyrically, musically, emotionally, and   even spiritually. The music is a bit heavier than before, but the album   also features a few tracks that might be the softest that Haken has   crafted yet.   In other words, "The Mountain" has a stunning balance to it. There is   something for every progster here, but also for every music fan no   matter the genre. Haken could have gone in many different directions   here, but centring the focus around beautiful melodies and lush   soundscapes while still experimenting with new ideas and exploring new   territory truly seems like the right decision. 
   It would have been easy to create an album with the same structure and   dynamic as the previous or the present trends ; however, Haken took the   road less traveled and forged new ground. It stands that Haken have   refined their songwriting ability, improved in almost every capacity,   and shown the progressive realm that despite being relatively new to the   scene that they are a force to be reckoned with.   To me, only after a couple of listens, "The Mountain" is 'the' prog   album of the year, perhaps even the decade. This is an undeniable proof   that whilst the progressive metal genre appears to be in its twilight   years, it is still capable of producing an album of such stellar quality   that everything else seems moot. 
   Ross Jennings - Vocals   Richard Henshall - Guitar, Keyboards   Diego Tejeida - Keyboards   Charles Griffiths - Guitar   Thomas MacLean - Bass   Raymond Hearne - Drums 
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